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To those obscurest sonic recesses steps DE:MA. Music taken at its root, an almost classical approach to electronic instrumentation, songs created and merged as pieces unto themselves. A musicality morphs over the hour as rhythm takes hold and we are wound into a hedonic spiral of stripped back psych-mysticism. Via Ness, Charles Cohen, and Slagmann, we find a play on mixed-forms. Like a jazz-experimentalist method in club forms. Excellent.
